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Dragon Fire Art Repoussé Artist Kathryn Looby
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With the gentle motion of my tools gliding across a
flat sheet of copper, I am allowed to release all cares & expectations
into this continuous soothing movement - losing myself. Upon my resurgence, I see that my
mind’s door has opened a crack and I have captured my dreams. The metal is unforgiving, every mark
made on it will be seen; therefore, each step is meticulous and time consuming
but equally rewarding when done successfully
“I work on
copper because it allows me to express my inspirations in mists of grey and
shadows of burnished gold.
As the natural sunlight parades across the picture it captures new
nuances, creating an ever-changing vista that welcomes and invites you to
stop.” - Kathryn
The Technique
Using a metal stylus, the artist Kathryn
Looby, skillfully sketches the outline of a picture on the front of the copper
with enough pressure to be seen on the back. The design is formed from the back using highly polished
special purpose chasing tools.
No moulds or forms are used; therefore, each picture is
distinctive
Kathryn
sculptures the copper freehand by pressing or hammering the copper into a soft
material such as pitch or firm foam pad. Details are added by 'chasing'
patterns on the front with specialized hand tools. The picture is reworked
until the she is happy with the results. A patina is used to completely darken
the copper, which is then hand buffed to create highlights & background
effects that play across the picture.
Color is nimbly added with the application of heat from a micro torch. The work of art is finally sealed to
preserve the color and protect the copper. Upon reflection of the
finished work, Kathryn may add additional finishing touches such as glass or
semiprecious stones to enhance the details.
Repoussé is the
process of ornamenting metallic surfaces with designs hammered out by hand from
the back and worked with
a variety of tools (dependent on the type of metal and its thickness). There is no loss of metal in the process, as it is
stretched locally and the surface remains continuous. Literal meaning in French is, "to
push back.” The practice is
of ancient origin, having been employed by most early civilizations and is
distinct from embossing, in which the relief ornament is produced by use of
dies.
Chasing is the
opposite technique to repoussé, and the two are used in conjunction to
create a finished piece. Whilst repoussé is used to work on the reverse
of the metal to form a raised design on the front, chasing is used to refine
the design on the front of the work by sinking the metal